Tag Archives: shoots

The Complete Untethered Series

The latter part of last year was spent shooting and finishing two web-series for portable power company TYLT. Untethered: My Passion introduces us to 9 unique people actively living their passions and covers a wide range of interests spanning music to fashion to comic books to photography to BASE jumping. Untethered: On the Road follows Erika and me on a 55 day road trip across 42 U.S. states as we live out of a coupe, document our travels, experience new things, and meet work-related deadlines.

Both series released earlier this year and My Passion garnered a Telly Award.

Watch both series here in their entirety (all 16 episodes) and see how many faces you recognize. Take a look back at how the journey unfolded on instagram via #LiveUntethered or #ChinnyRoad2016.

 

3 Bags and an Ultrasound

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On 4 Feb. 2016 at 4:35 PM, I received a text from Steven, “R u avail for paid shoot in Hawaii feb 15-20?”
I replied, “Sure. What is the shoot?”
“fast changing project. are you okay to go to Amazon instead?”
And thus it began.

On the night of 9. Feb. 2016, the project was greenlit and I finally received a briefing. I had a week to put together a very particular shoot in an undecided Central American country. A producing gig, something I tend to avoid and let my business partners handle, something I am not especially experienced in doing. In a foreign country. To shoot in 10 days. With a limited budget. I’ve always wanted to be paid to travel to foreign countries so I accepted the ludicrous challenge. I scoured the internet for any sort of production companies I could find in Belize, Guatemala, Costa Rica, and Ecuador. I sent out a bunch of emails and went to bed hoping for the best.

The next two days were a proverbial whirlwind filled with nonstop emails, international phone calls, and general shoot preparations. Two companies were my international saviors,  Costa Rica Film Support and Belize Film Works. They helped me build packages of photos and promises to quickly sell our client on a location. Costa Rica won out and the night of the 11th I had tickets to fly on the 17th. My crew would meet me on the 20th (after multiple days of back-to-back shooting in Singapore). In 48 hours, we’d gone from a very rough idea to a full-fledged planned international shoot. Much of my thanks goes to Julie Echeverri of Costa Rica Film Support whose fast communication and problem-solving made this unrealistic goal possible. She also organized everything for us on the Costa Rica side from boarding, to transportation, to meals.

Wednesday morning arrived and Erika left me at LAX with 100 lbs. of luggage (2 duffel bags of props and costumes, a backpack of personal and work items, and a portable Ultrasound). Traveling with an Ultrasound is an interesting experience and I have become quite adept at explaining what it is in Spanish to confused TSA personnel. An Ultrasound causes confusion domestically as well and could effectively pass as either a record player, musical instrument, or George Foreman Grill. Not a single person ever asked me, “Hey, is that an Ultrasound?”

I arrived in San Jose that afternoon and was greeted by Zequ, an Argentinian Anthony Kiedis lookalike, and my local producer. The next morning, he drove me 5 hours (largely in the rain) down South to the Bri Bri region. We passed through an amazing rainforest, down coastlines, and over an abundance of rivers of all types. He and I would spend the next few days scouting innumerable rivers as possible shooting locations, preparing our local actors, building a thatched hut (ranchito) from bamboo, navigating Costa Rican permitting laws, weaving through dense traffic and across flooded backroads, traipsing through muddy marshlands, managing a local drunk canoe pilot we called the Shaman, repeatedly crossing a somewhat rickety suspension bridge, struggling to make everything come together and meet approval in 2 days, dealing with changing plans and weather, spying wild sloths in treetops, and amusing each other immensely. We put the finishing touches on our ranchito shortly before the arrival of the cast and crew Saturday morning. Late that night, we were done. Sunday was a day for a little work, a lot of travel, and celebrations.

Monday morning, the crew flew to Los Angeles for two final shoot days. My afternoon flight was cancelled and I was forced to spend another night in San Jose in a complimentary Sheraton room. The week of 3 bags and an Ultrasound refused to end. Pura Vida.

Dreaming of a White Canyon

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In December of 2014, I rode up to San Antonio Falls off of Mt. Baldy with two friends for a quick morning canyon run. We were surprised by large quantities of snow along the road, the trail, and throughout the canyon. A dream was born that day. A canyon covered in snow could make for a great short video. I did capture some footage on a GoPro that day (shots can be seen in this compilation video), but my hope was to put together a proper shoot. I returned to the area multiple times in the Winter of 2015 hoping for similar conditions. I was welcomed only by paltry or non-existent snow patches. The Winter of 2016 arrived and the disheartening pattern seemed to be continuing into the new year. Then, multiple days of rain hit Los Angeles.

The canyoneering community went crazy as everyone rushed into the wet canyons of the area as they would only be truly wet for a short period of time. The Saturday weather in the Baldy area looked promising. A last minute group was put together and we arrived to find snow levels exceeding my hopes and expectations. Steven manned a quadcopter while Alden, Scott, and I hiked the shortcut approach losing a few Yaktrax along the way (Alden’s crampons fared much better). The canyon was gorgeous and almost entirely blanketed in snow. Shrubs and yucca struggled to peek above the powder, icicles  decorated the granite walls, and anchors were buried underneath inches of snow. The stream often disappeared beneath miniature snow bridges, as did the waterfalls. After a few hours we were through the canyon and had acquired a fair amount of GH4 footage alongside quadcopter footage. A second run was desired, but less accommodating weather was on the way. Hopefully El Niño continues its work and we can return in February to shoot more video in such stellar conditions.

Several screengrabs below.

Five Packed Weeks

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July 14 through August 19 is a bit of a blur. A convergence of events laid the groundwork for five weeks of productive travel. 35 days on the road split by 2.5 days at home. It began as a plan to attend a wedding in Puerto Morelos, Mexico (near Cancun). Erika and I decided it would be a good idea to do some additional exploration in the area since we would already be flying to the Yucatan. Thus, we visited Belize and Guatemala after leaving Mexico where we did a fair amount of diving, cave tubing, ruin touring, chicken bus riding, sweating, and swimming. We then returned to Los Angeles. I had been hoping to shoot some canyoneering footage in the Pacific Northwest and had made some loose plans with folks in the area. I also had begun recording several interviews for an outdoor podcast I was developing while simultaneously working on ways to bring more outdoor related video business to Butcher Bird Studios (that’s my business with some other dudes). The fates alerted me to the fact that the Outdoor Retailer Show and Ouray Canyoning Festival were occurring in succession this summer around the time I was hoping to go to Oregon. The idea for chinnyroad2015 was born. Upon returning from Central America, I would head out on a 4600 mile road trip 2 days later. I piled a large amount of gear into my car and left for San Francisco.

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Over 21 days, I travelled from Southern California to Oregon, Washington, Idaho, Wyoming, Utah, Colorado, and Arizona. I ran 11 canyons (shooting several), recorded 6 podcast interviews, attended the Outdoor Retailer Show, Attended the Canyoning Festival, learned to line dance from elderly strangers in a park, visited many new places, slept in campgrounds, slept in my car, tried Airbnb for the first time, acquired my first smartphone, flooded my new instagram account with photos, made dozens of cool new friends and business contacts, won some prizes, saw a dog standing on a roof, visited a cool science museum, ate dinner at Twitter, spied a “Bigfoot Research Vehicle,” fought the smell of mildew from wet gear in my car with the urinal rich smell of a “new car scent” air freshener, reunited with many long-distance friends across the West, listened to every type of radio program available, slept in a murder motel, visited the shop in “The Middle of Nowhere,” appreciated my hammock, hoped rain wouldn’t turn into flash floods, watched Alden cut out his own stitches, shot footage of the no longer orange Animas River in Durango, watched fawns nursing at a campsite in Silverton, paid for a straight-razor shave, and never once got to climb any of the awesome rocks I saw.

The aftermath of these two trips will sporadically appear in this journal for some time I imagine. And often at chinnyroad2015flashback.

Slack Tactics

It has been over two months since my last update. I feel like all I have been doing during that time is working, but that isn’t necessarily true. Above is a teaser for a web-series I have been working on with my Butcher Bird Studios partners. We completed most of the photography in the last couple of months, but I still have plenty of post-production to keep me busy on top of paying gigs.

Besides shooting all four episodes of G.O. – Get Outside in the last two months, I have managed to do some other stuff after all. One of my favorite climbing events, The Red Rock Rendezvous was a few weeks ago. I’ve run a few canyons and lead a few routes since my last check-in. I also got my Wilderness First Aid certification and took a Mountain Athletics Training course from Conrad Anker and Mark Jellison. There have been a few cool shoots in there as well. So, I guess I haven’t been slacking as much as I thought.

Sugar Pi Fairy

I’ve been looking forward to sharing this. Earlier this year, my friend (and past documentary subject) John Brown recommended me for a Nerdist project. Danica McKellar (Winnie Cooper from The Wonder Years) was working on a math/comedy (mathedy?) series and needed someone to direct and post a short music video based around the mathematical constant pi. We shot all primary photography (Danica and ballerinas) in one day in June followed by a couple of short pick-up shoots throughout the summer to grab the various celebrity cameos. I handled all of the post: editing, color, compositing, animation, design, etc. As a sign of her appreciation, Danica brought me a homemade chocolate pecan pie afterwards. I’ve never had a client bake me a pastry before or deliver it to my somewhat secluded (by L.A. standards) residence. She is setting a high bar for all future clientele.

And, yes, she really did have the whole song memorized.

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Quadcopter in the Sierras


One of my ongoing goals is to move into producing outdoor videos. I recently convinced my partners at Butcher Bird Studios to spend a weekend backpacking through the Sierras. We carried various lightweight cameras and a quadcopter. Above is some of the test footage we acquired from that copter.

Enter The Marty

February 7th will be the three-year-anniversary of the Marty Mitchell shoot in my living room. Friday I completed the final tweaks and output of the last scene of the show. And it only took three years. Well, to be honest, it didn’t take three years, but it was stretched out over that time period. Thirteen and a half minutes of animated characters interacting with a live-action kid in animated worlds. Finally. Finished. Well, I am being a bit hasty. It isn’t truly finished. Ben Chan is currently scoring the soundtrack and we still need to review audio. Then. Then, it will truly be finished. Well, I’ll still have to output a master file, then create discs and compressed outputs, blahblahblah. But then. Then. Well, then, I need to screen it and maybe enter it in festivals and….

Anyway.

The “Light Teaser” is embedded above. Check it out and prepare yourself for the main event…coming soon (I hope).

Skeet Skeet Skeet

It’s that time again—time for me to spam my journal with multitudinous videos showcasing recent work.

The video embedded above is one I am pretty proud of. It is a short trailer for a Facebook game called Zombie Misfits. I wrote and directed the live-action segments. The game team was nice enough to give me access to their animated game assets so I could modify them and composite them into the live-action footage. I also handled the color work and motion graphics. Steve Moreno did a great job of shooting the footage we needed so we could make a pretty cool commercial. The game is pretty fun too. If you like tower defense games, check it out.

Shelf Life is an ongoing comedy web series about disgruntled toys living on a tyrannical young boy’s shelf. I handled  the open and the credits. New episodes are going up every Tuesday for the next few weeks. Find out what your toys really thought about you.

Instead of embedding a crapload of videos in this post, the rest will be listed and linked to below:

Puppet PowerNick Veneroso and I helped my friend Mike shoot some puppet-making videos a while back. I also put together some of the motion graphics. You can see a sample video here or buy the series at the website.

Movember Guyde – I was responsible for animating the elements created by a graphic designer for Break’s Movember infographic.

MapleStory Legends Trailer – Motion Graphics & Cannoneer Animation
Sudden Attack Trailer – Motion Graphics
Wonder Cruise Trailer – Crooner Character Animation
MapleStory Cannoneer Audition – Visual Effects (first of three videos)
MapleStory Ascension Trailer – Motion Graphics

That’s most of the recent stuff. Back to work.